Seventeen
Here’s my writing journey – and it applies to all forms I’ve written in: short stories, screenplays, and novels. But I’ll use novels as the model. I’ll write a novel, revise, submit. Rejection. I’ll submit again. Rejection. And again. Rejection. I’ll revise again and again and again. Submit. Rejection. Submit elsewhere. Rejection. Submit all around. I might get a nibble here, a request for the whole manuscript, or a glowing personalized rejection, but a rejection all the same. Rejection. Then, after getting over the initial frustration and wanting to quit writing, I’ll start a new book, and vow that this one will be different. This book will be THE ONE.…
Dealing with Reviews
I write reviews. And I write some scathing reviews. But when I do that, I try and deconstruct why I don’t believe the story works. There can be a lot of reasons for this: from bad plotting to thin characterisations to tonal inconsistency (and then lots of stuff in-between). The overriding priority is identifying what the story’s trying to do. This comes from my years as an editor. When I ran editing workshops, I’d instruct the participants to talk to the author and understand what they’re attempting. Disaster looms when the author and the editor aren’t simpatico. For example, if the author’s written a book they believe is a a…